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Still no one
Pickering. What does he do, Eliza? Eliza. People teeth speaks so the money in your pocket pumps. And he-he - digger. It happens, and now takes on the shovel when porazmyatsya want, and good money zashibaet. And you do not want to call me Miss Doolittle? Pickering. Excuse me, Miss Doolittle, I misspoke. Eliza. No, I'm not offended. Simply very much it turns out beautifully Miss Doolittle. Can I hire a taxi right now and take a ride on the Tottenham Court Road? I would have left there and told to wait. That would be wiped our girls - let them know their place. Talking with them, I would, of course, did not. Pickering. It is better to wait for you to bring new fashionable dress. Higins. In addition, taking a high position, we should not forget old friends. We call this snobbery. Eliza. No, you're with me now they are even now not to be confused. There was a time, they made fun of me how much in vain, and now I'm his nose morning. Of course, if I get a fancy new dress, you can wait. It hurts me to get hold of their hunting. Mrs. Pierce said that you will give me different - one day wear the other night in bed wear. And in my opinion, that in vain to transfer money, they just will not show anybody? And then, I think is terrible in winter to undress for the night so cold things to get into yourself! Mrs. Pierce (back). Come on, Eliza. They brought the dress, you need to try. Eliza. Uuuh you! And ... and ... and ... ah! Uy s ... ... and. (Out of the room.) Mrs. Pierce (following her). No need to rush headlong, my dear. (Closes the door.) Higins. The difficult we have to deal, Pickering. Pickering (conviction). Yes, Higins. Very difficult. ACT THREE Receiving day Mrs. Higins. Still no one. The apartment it is located on the Chelsea Embankment, and living room all three windows overlooking the river; Only the ceiling it is lower than it would be in a home, whether it is a historic building. Windows - the entire wall. They are open, allowing access to the balcony, laden with flowers in pots. On the left as you face the windows - fireplace; a right wall, close to the corner, - the door. Mrs. Higins mannered Morris and Burne-Jones, and her home is very different from the apartment of her son on Wimpole Street: no extra furniture, no shelves, no knickknacks. In the middle of the room - a spacious couch. Pillows and brocade bedspread on it, the carpet on the floor, morrisovskie morrisovskie printed wallpaper and curtains on the windows - that's all the decoration of the living room, but it is so refined that it would be a sin to hide behind a heap of useless things. On the walls are some good paintings (in the manner of Burne-Jones, Whistler and not), thirty years before exhibited in the gallery Grovner. Landscape: only one: Cecil Lawson on a scale of Rubens. Here is a portrait of Mrs. Higins in his youth; on it, in spite of the fashion, one of those charming rossetievskih suit that so grotesquely imitated ignorant, whose efforts had been planted gaudy aesthetics of the seventies.
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